From Greek boardings on the Testament, to English translations of the Arabian Nights, all saw translation as an inherent part of reading and thought. But isn’t translation a greater enterprise of stone shaped into verse, and colour turned into melody? Wasn’t Bernini translating in exquisite marble Daphne’s myth? Aren’t Garcilasos’ verses a melodic translation of Daphne's pain? Isn’t translation, then, the intimate fibre of the most subtle artistic creations? Paraphrasis is the column in which writers are invited to join the modest but arcane craft of the translator by translating and engaging with a piece of poetry, prose, visual arts or music.

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