Micaela Brinsley is one of the co-editors-in-chief of La Piccioletta Barca and editor of interviews, as well as fiction and essays.
Pessoa just did it for me. It was a total body reaction. And I knew I had to pursue it.
Those who purposefully ingratiate themselves into the palace are obnoxious and lazy
I am always drawn back to the idea of writing as drawing, or inscription—the surfaces being as important as the page ...
What I really like about both writing and translation is that enveloping and that immersion, in a world.
Eponine Howarth, corresponding.
Ignacio Oliden on what's before the surface.
Juan Arabia on poetry and pilgrimage.
Want, it's telling me as if I knew what it could say. Yellow jets to pink suddenly turning you turquoise and I ...
poems, in my view, are a reflection of an angle of a person...
I started today with a song. Then listened to another song. Now still the same song.
I’m sleeping at staggered times. It’s less a habit, more a burden I try to convince myself I’m turning into a choice...
The concrete paths of the cemetery. Like paintings on top of the crispy grass, thicker than the width of the car...
The rhythm of Japanese moves much like the sound of water, languorous one moment, crashing into consonants the next...
Storytelling, in definition.
In this episode, Eleonora speaks with Micaela Brinsley on: the persona and work of Elena Ferrante...
Ellie New and her take on art for how's sake.
