The Silent Whistle
The July sun blazed mercilessly over Port-au-Prince—it felt like a molten eye in a pitiless sky—its relentless heat scorching the cracked streets until they seemed to bleed heat. The city throbbed with chaotic vitality—vendors shouting over each other in the markets, children weaving barefoot through traffic, the clatter of daily survival echoing off rusted tin roofs and crumbling facades. But beneath the noise, beneath the motion, something darker simmered, coiled tightly like a spring ready to snap. Tension curled in the corners like smoke, invisible but suffocating, threading through the air as thick and heavy as grief. The heat and humidity added to the weight of unspoken fears. It was a dreaded fear that hummed just beneath the surface—furtive, watching—like the breath of a killer hiding in the folds of the city, waiting for the moment the world stopped looking.
It was on such a morning in July of 1964, just as the clock struck ten, that the delicate balance of the day was shattered. A disturbance rippled through the streets, empty bottles and tin cans were heard rolling on the hot pavement, a crack in the veneer of normalcy that sent gripping murmurs darting between vendors and passersby. The city seemed to hold its breath, as if anticipating a storm during the rainy season that had yet to break.
Twenty minutes earlier, Joseph Nicolas Gaetjens moved with purpose along Rue des Miracles, his stride confident and brisk. The café ahead beckoned, a familiar sanctuary where he often found solace after a long morning of coaching football. Joseph was more than just a man in Port-au-Prince; he was a living legend, a beacon of hope in a place where such light was scarce. His story was known by all—a tantalizing immigrant narrative of success that began in the gritty fields of New York, where he had played for Brookhattan American Soccer League before making history with the New York Cosmos. But it was his moment of glory in 1950, when he scored the decisive goal for the United States against England in the World Cup in Brazil, that cemented his place in the annals of football history.
Returning to his beloved Haiti in 1953 where he was already a well-known player, Joseph was greeted not just as a hero but as something closer to a savior—a Haitian that gave the United States football ammunitions. The airport had been a scene of wild celebration, the crowd chanting and dancing as they waved a banner proclaiming him "THE BEST PLAYER IN HAITI, THE USA, AND THE WHOLE WORLD." Despite being exhausted from his long journey from France, Joe nonetheless suited up that very night, playing for his old team L'Étoile in order to satisfy the clamor of the people who wanted to see a real international star. Gaetjens was a man driven by love for his country, and that night, despite the weight of exhaustion and the chronic pains that had begun to plague him, he played with the same fire that had carried him to greatness.
But now, in the sweltering heat of this July morning, something felt different. The shadows seemed longer, the streets quieter, as if the city itself knew that the days of celebration were long past. Joseph's fame, once a shield against the harsh realities of life in Haiti, now felt like a fragile thing, easily shattered by forces beyond his control. He was older now, his body worn by time and the injuries that had never fully healed. The chronic nosebleeds and the bum knee were constant reminders that even legends are not immune to the ravages of time. Nevertheless, his fame made him financially successful and his last name did not help in Duvalier’s Haiti.
As Joseph neared the café, the hum of life around him seemed to falter, the tension in the air sharpening to a fine point. Something was coming—he could feel it in his bones, in the uneasy glances of those he passed on the street. All of a sudden, Joe noticed, it was as if many people on the street had developed problems with their legs, could not walk or stand properly. The calm of the ordinary had been broken, and in its place, the first whispers of chaos began to stir. Joe was unable to read the collective bodily dialect. Were they making fun of him, he wondered to himself.
His fame, in Haiti, was becoming double-edged sword.
It was there, outside the old stone building that had stood for generations, that the world witnessed the beginning of the end for Joseph Gaetjens. Lt. Edouard Guillot, with his gleaming kaki uniform and cold, detached eyes, stepped forward, his boots clicking against the cobblestones as if each step were a countdown. Behind him, two men dressed in plain clothes flanked him like spectral shadows, their hands resting on the butts of their revolvers. The trio moved with a synchronized precision that spoke of rehearsed ruthlessness.
Joseph barely had time to react as Guillot’s hand shot out, gripping his arm with a force that belied his polished exterior. The bustling street, once filled with the sounds of vendors and children, fell into an eerie silence as the crowd watched, breath held, hearts clenched as if someone was about to shoot the ultimate penalty kick in a final match.
“Joseph Nicolas Gaetjens,” Guillot’s voice cut through the air, devoid of emotion, “You are under arrest.”
The words hung in the air, and in Joseph’s mind, this couldn’t be an unspoken death sentence. His best friend, Daniel Beauvoir, was a police chief. Joseph’s heart pounded in his chest, but his face remained calm, a mask perfected through years on the pitch. He knew better than to resist—resistance was futile in a land where the rule of law had become an abstraction. His eyes, however, searched the faces of the onlookers, seeking something—someone—an answer, an ally, or perhaps a way out. Due to his fame and stature, he felt a bit reassured but he didn’t know to what extent François Duvalier’s hatred for his family went.
But there was nothing he could do. Only fear. Only silence. Only the growth of darkness.
Without another word, the lieutenant and his men marched Joseph down the street, the crowd parting before them like the Red Sea, only to close in behind them, swallowing the scene whole. The café, the market stalls, the passersby—all returned to their routine, yet something had changed. A piece of Port-au-Prince’s soul had been taken, and the void left behind was palpable. The Duvalier regime had a solid grip on the country and anyone could be seized at any moment. There were no cheers, just silence that fed the swelling national fear.
That morning before the heat had just begun to rise over Port-au-Prince when Joseph Nicolas Gaetjens, known simply as Joe, was coaching a group of boys near the national stadium, and at 9:00 a.m. sharp, breaking from his routine visit of making his way to his dry-cleaning shop on Avenue John Brown, one he'd made countless times, but due to heavy rain forecast for the afternoon, he changed his plans and decided to coach in the morning. So when Lt. Edouard Guillot stormed into the shop with a cold authority. Joe was not there. Just like he entered in the café one hour later, behind him, two men in plain clothes, their eyes as hard as the barrels of the guns they carried, flanked the lieutenant like wraiths. Guillot’s voice cut through the silence, and the low hums of the machines, demanding Joe’s whereabouts from the manager, who was also his mother-in-law. She could only stammer, her fear as palpable as the sweat on her brow. Guillot, his patience thin, barked orders to his men. “Wait here!” he snapped at the Macoutes. "Arrest her!" Joe was unaware of what had taken place early that morning.
In the summer of 1971, a report reached the Inter-American Commission on Human Rights. Its language was cold, bureaucratic—devoid of the human cost it sought to document. The account detailed Joseph’s disappearance, hinting at a grim finality while shrouding it in uncertainty. The document, with its clinical detachment, offered no solace, only an affirmation of loss. The Commission’s inquiries to the Haitian government went unanswered, swallowed by the same void that had claimed Joseph. And so, in the absence of truth, the Commission issued its grim verdict: Joseph Nicolas Gaetjens was presumed dead.
Yet, in the humid streets of Port-au-Prince, where his name once resounded with pride, Joseph’s memory lingered like a restless spirit. He became a quiet defiance, a reminder of an injustice too bitter to name. Joseph Gaetjens was not just a man taken too soon; he had become a symbol—a phantom of buoyant resistance and a haunting reminder of a history that demanded to be reckoned with. His story wove itself into the fabric of folktales and shared grief, passed down in the market’s bustle and susurrated over evening fires. And sometimes, when the night grew thick with the weight of the past, there were those who swore they heard it—the sharp, fleeting sound of a whistle carried on the wind. It was a sound that stirred something deep within them, an ache both fierce and tender, a call to remember.
Patrick Sylvain
Sylvain is a poet, writer, social and literary critic. Twice nominated for the Pushcart Prize. Published in several creative anthologies, journals, periodicals, and reviews including: African American Review, Agni, American Poetry Review, Cagibi, Callaloo, The Caribbean Writer, Chicago Quarterly Review, Ep;phany, Magma Poetry, Ploughshares, Prairie Schooner, Small Axe Salon, SpoKe, and Transition. Sylvain has degrees from the University of Massachusetts (B.A.), Harvard University (Ed.M.), Boston University (MFA), and Brandeis University (PhD). Sylvain is an Assistant Professor at Simmons University, and he is also on faculty at Harvard University’s History and Literature Division. Sylvain’s poetry chapbook, Underworlds, is published by Central Square Press (2018). Sylvain is a featured poet on Benjamin Boone’s Poetry and Jazz CDs The Poets are Gathering, and Caught in the Rhythm (Origin Records, Oct 2020, Nov 2023). Sylvain is the leading author of Education Across Borders: Immigration, Race, and Identity in the Classroom (Beacon Press, Feb 2022). His updated bilingual collection, Unfinished Dreams // Rèv San Bout will be published by Central Square Press, June 2025.
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